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Last month Lambgoat interview guru Drew Ailes had a shocking conversation with Spitfire drummer, Chris Raines. Ok, maybe not shocking, but pretty interesting. |
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How long was the tour you were just on?
It was a short tour. We're just doing a lot of weekends and stuff right now. The next big thing we have is in May. We're doing a tour with Underoath and Poison The Well.
How was that put together? Were you previously friends with those guys?
Yeah, yeah. We've just known those guys for a long time. They just called and said, "we wanna take you guys out," so we were stoked.
I wanted to interrogate you a little bit about Southern Death Records. You're one of the men behind that as I understand. What releases have you done so far and what are you looking forward to in the future?
All we've done so far is The Handshake Murders. Have you heard them?
I've glanced across their Myspace and enjoyed them.
Pretty much Scottie and I do it. He plays with Spitfire and Norma Jean. We've always just joked around and talked about doing a label, like ever frickin' kid probably says. So we just talked about it and we wanted to help Handshake Murders out, because we like the band a lot. They were going to record something on their own just to get their name out there, so we figured it was kind of the time to do it. That's the only CD we've put out. We just signed a band from Atlanta called Stadlur and we're putting out a...did you ever heard the band Selfminded?
No, I haven't even heard of them.
They're from Sweden. They were on Solid State. They've broke up, but anyway, they did a split with Spirit That Guides Us, but it was only released in Europe. So we're going to re-release that for the States. That's the next thing we have going. That's pretty much the deal - we're not like, full-on with it yet. Right now we're just kind of doing stuff with our friends and bands we're just trying to help out and stuff like that. That's really it, just stuff that we're into.
So it was a personal thing, so to say. Back with another label question: what caused you to stay with Goodfellow, and did you have a fair amount of labels presenting you with offers?
Yeah. I mean, it wasn't like every label in the world was knocking on the door or anything like that, but we had a couple offers. We were actually going back and forth with Solid State again, for a while. I don't know, Chris Logan is the coolest guy on the planet.
That's what everyone's said.
You can put that in big bold writing. We love that dude. He's just so easy to work with. So going from Solid State where you can't get a hold of anybody and you're the hundredth band on the label, and that kind of stuff...going from that to with Chris, where we get to deal directly with him...it's just been awesome. He's just such a cool guy and everything he puts out rules. We love all the bands on his label and, just, I don't know man. I'm really glad we decided to do what we did. At the time we were kind of wondering what to do, but at the same time, not only do we like Chris and love the label and he's easy to work with, it's kind of what I was saying before; if we went to a Solid State or a Ferret, we'd just kind of be a small fish in a big pond.
Yeah, and I kind of feel like being on Goodfellow is almost elite in a way. A good amount of people know about the label despite there not being that many bands on it.
He really is only putting out what he thinks is good. He's not going to go sign...I can't say any band names, but he's not going to just go sign some lame band just because he thinks they're going to sell records. And that rules. Not that he doesn't want to sell - don't get me wrong, of course he wants to sell a boatload of records, but he's not going to go out and sign a bunch of bands he doesn't like just because he thinks they're "hot" right now or something.
I know that Intronaut CD just came out and that's been getting rave reviews as well. I look forward to the Goodfellow enterprise continue.
He just signed another band that's friggin' awesome. I might say this wrong, but I think it's The Abominable Iron Sloth.
Yeah, yeah. That's dudes from...
Will Haven.
Yes!
He just signed them and that band's pretty awesome too. And of course Cursed is like, amazing as well.
I wanted to ask, why is the CD entitled "Self-Help"? And I mean, that's a question that any interview you do is probably going to have that question, but as I was paging through the layout and the lyrics and everything - there's almost this weird, eerie, and almost cult-like feel to it. Everything's sort of sardonic and menacing in a broad way.
Well, pretty much...what it is...to give you a great explanation - I couldn't do that. I don't write any of the lyrics. But what it is, if you're familiar with the Scarlet album "Cult Classic," all this is is kind of a second part of it. Because you know Jon sang on the "Cult Classic" record. So "Self-Help" is just the next level of "Cult Classic". So where that was an extremely dark record with a certain time in his life, and how it was about mainly suicide..."Self-Help" is just the new version of that. It's still obviously very dark, but it's a little lighter, I guess you could say, being self-help and all. It's about what people know off the top of their heads about self-help books on depression and suicide and all that stuff. It's just kind of feeding off the "Cult Classic" album in a sense. I'm sure the next record we do will have something to feed off of this one. But I think he just kind of tries to keep them all going together, even if it's just a little bit, if that makes any sense. So that's where the ideas of it all come from. The actual layout and design and stuff like that, our guitar player, Dan, did all of it. That was just pretty much...it doesn't necessarily go with the lyrics on each page.
I know it doesn't necessarily go with the lyrics, but it certainly goes with the theme. It's just kind of twisted.
Yeah, it's twisted. Spelled...T-W-I-Z-T-I-D.
Exactly. Exactly. And that guy is extremely stoned in a room filled with strange looking women right now, as we're doing this interview.
[laughing] Totally.
I can promise you. I would hang out with him. I mean, he is psychopathic.
Yeah.
I wanted to jump to what was behind the real reasoning behind the four-year hiatus that the band undertook - why that was and so forth.
I think it was just a lot of stuff combined. We were all just kind of getting burned on stuff. I don't know, things just weren't going the way we wanted them to go. At the time we weren't just feeling what we were doing. Also about that time was when Jon started doing Scarlet, and then Matt started playing in that band, Mae. So pretty much that was really it. We all started to get burned and went in our own direction. Especially the Mae thing, that was taking off really fast. So that was it. At that time it was like, we had done everything we wanted to do. We got to do a record and we got to go record where Deadguy recorded. That was like, our childhood dream, to record were Deadguy recorded. We got to do all that stuff and got to tour with all of our favorite bands...Zao and Dillinger Escape Plan...I don't know, I guess we were just like, "well, this is it." So that's what happened with that. And then, I guess about a year and a half ago, Matt quit Mae and Scarlet was just kind of on hiatus, so we were just hanging out and talked about how we missed it and missed hanging out. I guess everybody kind of realized that being in different bands that it wasn't the same as being in a band with your best friends. So that was it. We just started talking to it and we would all hang out and listen to old Deadguy records and old Coalesce records and just kind of all said, "wow, this sucks, we miss this." We just out of nowhere went and started writing some songs and that was it, man. Everything took off from there. We did the label stuff and obviously went to Goodfellow...did the record...it's just been really, really, awesome. Everything's kind of falling into place.
Well, congratulations. That's a cool thing, to drop something a few years ago and actually successfully pick it back up. How do you feel this CD differs from your older material?
Well, I mean, it's totally...gosh. It's just, to us, so much more of a mature record. The first record we did we were just younger and we didn't know what the hell we were doing. I just think overall, the way we wrote this record, how we took more time with it...you know, the first time we recorded we were at Trax East we were there for seven days, whereas this time we were in the studio for a month and a half. It's a lot of little stuff like that. We spent a lot more time on it and we're just all way more confident in our playing and writing abilities. I think it's similar. There's no way you couldn't hear that it's Spitfire in both records, but it's definitely a different record. I think people will notice that for sure, and I'm sure some people won't like it. But y'know, we kind of just do what we want to do and this is the direction we wanted to go. We wanted to do a lot darker sounding stuff. It's totally different in six years.
Six years is a long time, unless you're in your forties or something.
Totally, yeah.
I realize this is an awkward question for me to ask on my end, but I was reading older interviews and one interview stated that you guys were a three-piece one time...
Right.
...and then went to a four-piece...
Right.
...and then I look in the booklet, it says you're a five-piece...
Right.
...I look on your Myspace, there's six people.
Yeah, okay.
Which is it?
Originally, yeah, it was a three-piece, but it was a four-piece quickly after because Jon joined the band. So we've pretty much always been a four-piece, although we actually recorded that record as a three-piece. Then when we got back together, we were a four-piece until Scottie joined the band, which made us a five-piece. But then, it was kind of like, "well, being a five-piece is really awesome, it fills out our sound a lot more," but then we started to realize that, holy crap, Scottie's in this really big band, and he's always gone. He comes as much as he can and he does as much as he can, but Norma Jean is super full-on. If they're not on the road, they're recording, or doing a video, or just something. He's just not here that much. So we all decided we wanted to be a five-piece as much as possible, so Scottie is the sixth member of the band, he's just not around as much as we'd like him to be around. If he lived here and wasn't in another band, we wouldn't have six people. It's just that he can't ever hardly do anything with us, and if he does, we play as a six-piece, but that's just not really that often. There's a guy, Ian, from here, that's been playing with us.
Well, thank you for clearing that up.
I hope that clarifies that.
I felt stupid.
No, no, no.
What bands did you originally derive influence from? I know you've mentioned Coalesce and Deadguy, which I know are more of an original preference, but I know there's a lot of artists mentioned in your press sheet. There's anyone from Voivod to Hot Snakes...were those bands that always played a role in the sound or just something that's accrued over these last few years?
No, that stuff especially was always there. Hot Snakes, Deadguy, Coalesce...gosh, all that mid-nineties hardcore and of course, old metal. But at the same time, we've always been into so much other stuff. But on the heavy-wise stuff, yeah, definitely. It's hard now to even find anything new. You know what I mean? Because we're so stuck on old stuff.
That's why I stopped doing reviews as much. Everything I heard was just...the same.
Yeah. I mean, now, I still listen to Deadguy, but we listen to different stuff. We get inspiration from other things too, maybe on this new record. We're kind of all big Nine Inch Nails nuts.
Even the new stuff?
Oh yeah, I think the new album's amazing.
I haven't given it much of a chance to be honest with you.
Yeah, a lot of people haven't. I mean, it's different. It's a rock record.
He looks so weird now! He's like a mannequin!
He's like, buff, dude. He's like Glen Danzig.
I actually have that as a question for one of the guys for Boysetsfire. "Have you seen Trent Reznor, and why does he look like a mannequin?" That's odd that you bring that up.
Well, you can transfer that question to me.
I will. Why does he look like a mannequin?
He looks like a mannequin because he's freakin'...he's Trent Reznor. He can do what he wants.
I...see.
That's my answer. No, but, I mean, we're all into everything. I'm probably less into metal...Jon and I. But Dan and Ian always wants to listen to Entombed and Slayer and all these old metal bands. Where Jon and I...I'm real into Nine Inch Nails and I think the new Cave In is just amazing. It rules. I'm all about that. Just a lot of darker sounding stuff like that. But then, you know, Deadguy and Coalesce, that stuff to me is just...gosh. I can remember the first time hearing Deadguy and still to this day I can't believe they did that so long ago.
Are you a Today is the Day fan as well?
Oh yeah, absolutely.
Yeah, because Deadguy have flat-out said that they're just a Today is the Day rip-off.
Oh, totally.
And I love Deadguy too, but it's just...
Yeah, I think it's very possible to do it and I think they did. All the did was take Today is the Day and make it a hell of a lot better. That's my opinion.
It's easier to listen to.
Exactly, and I think all Dillinger Escape Plan did was take Deadguy and speed it up and make it more technical. Which rules, because I think Dillinger Escape Plan is just absolutely amazing...but yeah, we're into everything for sure, musically. Those are just some of the bigger ones that we've always been into.
I read an older interview with Jimmy, I think.
Yeah, our old bass player.
He made a mention of there being a Christian leaning behind most of the songs. Does your faith still play a strong role in the bands inner workings, both musically as well as on a personal level?
Yeah, definitely. I mean, we've never, ever, been a preachy band. Nothing like that. It's the kind of thing where if somebody comes up to me asks me if I like Deadguy, sure, I'm going to talk about it. It's that kind of thing. So you know, if someone comes up to me and talks about it, then yeah, we talk about it. It's conversation. But we've just never been a preachy band. If people ask, we say "yes," and that's it. It's just our faith and something we feel strongly about, but it's our business unless somebody wants to ask about it. That's just not why we do the band, if that makes sense. But at the same time, I'd be totally BSing you if I was saying that it has nothing to do with our music or lyrics because that'd be a lie, because whatever you're into comes out in the music. But yeah, it definitely isn't something that we go out and try to do...we do the band to do the band, but we are Christians.
I know it's a common thing that Scottie's involved with Norma Jean as well as Dan and Jon have done work with Scarlet, but are there projects that the rest of you folks have delved into that might not be as commonly publicized?
Um...not really.
I mean, if there are things you don't want to mention, you can leave those out too.
You can put that Scottie and I are in a band called Gardenwolf.
Gardenwolf?
Yeah.
What is Gardenwolf?
It's kind of like a side-joke band we have. It's kind of hard to explain. Uh, it's just kind of weird stoner rock stuff, but it's kind of a joke at the same time.
Seems like all stoner rock is becoming a joke now.
It is, although that band The Swords is pretty awesome.
Aw man, I hate them.
Really?
There's a...Sword...or wait, there's The Sword?
And Swords, I know, I know.
Alright, there's Swords, and then there's The Sword, right?
There's uh...nuh...well, there's The Swords, there's The Sw- no, there's The Swords, there's Swords, and now there's a band in Richmond, Virginia, called Sword.
Which is the one that's awesome?
The Swords.
The Swords?
They just came out with a record, like, two weeks ago.
But they're not The Sword?
No, they're The Swords, it's plural. But there is a singular. Yes, they're from Richmond, and they're also stoner rock.
Hold on. Let me look this up. Man, I know if I type in "The Sword" all I'm going to get is Blind Guardian lyrics about fighting ogres or something. Lets go to Myspace and figure this out. Because Myspace's featured band was The Sword.
That's...wait, maybe I'm wrong then.
I think you might be. They're from Texas?
They have, like, um...
Something's called um..."Age of Winters"...
Yeah. Is that The Sword?
That's The Sword.
Okay. That's the band that rules.
No, no way. That band does not rule.
Dude, they are friggin' awesome.
Eh...
I'm way into that band.
Ehhhhhhhh...I don't know about that.
You don't like them?
I mean, I can't say I dislike them, but I'm definitely unimpressed by them.
Really?
Yeah, it's just sort of a passing thing. It's just really average. There's so much out there that's weird and creepy and brutal, and this is just kind of...I'm just lukewarm to it. I do think it's awesome that they call themselves The Sword. I heard the one in Virginia once and I think I liked them a lot. They're Swords, I think.
Maybe, it could be. One of those guys is from Virginia Beach. We used to play together all the time. He used to be in a band called Facade Burn Black.
Duh-wha?
Facade Burn Black. We used to play shows together all the time. He's a really cool dude.
Interesting. Okay. But no ties to The Sword?
Ah, not that I know of.
They'd better all have a giant swordfight some time. Every band gets together and just...fences it out.
For sure. Yeah, you're right, it is The Sword, from Texas.
I have no idea how we got on that, but anyhow. Moving on. Being that you're from sort of the southern/east-coast area, what is your take on attendance at shows out here? Do you find it's hard to get a decent crowd at shows that don't feature larger acts?
I probably shouldn't answer that question.
Man, I mean, I asked it for a reason.
It's just going to piss off a bunch of people on Lambgoat.
The fact that there's an interview with you is going to piss off a lot of people on Lambgoat. Whenever there's any interview with anybody, everybody's mad. There's going to end up being a huge debate over Sword related bands on the messageboard and someone will end up quitting the board forever or getting married as a result. It's just our site.
Honestly, the east coast and lower east coast is awesome. I hate to say it, but we kind of just feel like that the only place we don't ever do well is our own hometown. As sad as that is, it's just kind of always been like that for us. We just played a lot of shows in the Carolinas and they were awesome. Every show ruled. We're playing to 600 people at Tremont, and then we come home and if there's 150 people there, we're stoked. It's weird, man. It's really weird.
So you do well everywhere but your home town? That is strange. How was your show here in Raleigh? It was with Bloodjinn, right?
Yeah. For not playing in Raleigh for six years and having no one know who the hell we are, there were 150 people there so I wasn't complaining. The Brewery isn't a huge place, so 150 people there is pretty good. We're playing in Virginia Beach tomorrow night for our CD release show. If 500 people are there I won't be like, "oh, weird." If 50 people are there are I won't be like, "oh, weird." But if Norma Jean rolls into town, it's sold out with like, 1600 people.
Somersaulting into the club.
Exactly. So, it's weird, man. But it's cool. Our whole thing is, if there's five people there and one person gets stoked on it, it's worth it.
Now on your Myspace there's a journal entry talking about a dead body in the alleyway outside of a venue at Wilmington.
Yeah, that was freaky.
What happened? What was that about?
Alright, so we pull into Wilmington last week and Ian and Dan just happened to look down this alley as we're driving down this street to get to the club. They start freaking out and talking about how there's this body under a white sheet and there's all these guys in suits and cops all around it. It was marked off with police tape and stuff, so we were really freaked out. So anyway, we get to the club and we walk back over there to see what it is, and we're totally...I mean, what do you say? There's a dead body there. So we're all just like, "oh my gosh," and I'm just like, "dude, I don't even want to look at it." So we kind of just left it like, whatever, and didn't talk about it. We made a big deal about it...to just roll into Wilmington, which is a super nice town, and see that. It was freaky. And then like, two hours later, some girl was like, "hey, did you know they were filming a movie out there?"
Oh man.
I was like, "are you serious?" We felt like complete asses.
What movie was it? Did they say?
Nobody knew, and I didn't recognize any of the actors or anything, so I have no idea what it was. The way it was down the alley, you couldn't see any cameras or staff or anything. You could only see what was being shot by the camera, so it just kind of worked out to where we thought it was real because we couldn't see anything else. If you actually went down the alley, you could see all the people.
Did you go back down there after everyone left?
Yeah, we went back there and there was nothing left there. Not very exciting after all.
Well, I know you've already mentioned the tour you're doing with Underoath...
Yeah, Underoath, Poison The Well, and As Cities Burn.
Do you have any other tours planned after that one?
No, that's it. Right now all we've been doing is just short weeks or weekends with our friends. We just did these shows with Hopesfall, and we did some with Bloodjinn...we're going to do some with Classic Case in April, and then we're doing the tour. We're going to try to do stuff with The Minor Times. I don't know if you've heard them, but that band rules. We're just trying to do stuff like that right now and then whatever tours we can get on, obviously we'll take.
It takes like a lot of the Deadguy influence bands kind of swamp together at times. It seems like everyone finds each other. It seems like every region has their own Deadguy/Today is the Day devotees.
For sure. But if you go to a hardcore show and ask kids if they like Deadguy or something they're going to look at you like you're an idiot.
Yeah..."I don't like dead guys! I ain't no homo! What?"
Yeah, yeah.
I know you already answered this a little bit, but what are some bands that you feel people should kind of keep their eyes on over the next year? What bands are you very into right now?
The Minor Times for sure...Classic Case...have you heard them yet?
No, I haven't.
They're from Chapel Hill. It's one of the guys from Beloved's new band.
Really? I liked Beloved a lot.
Go to Myspace tonight and check it out. It's not heavy - at all. It's rock, for sure, but it rules. It's one of the guys from Beloved and the drummer from Glassjaw. Which is weird.
What's his name? Are you talking about the guy who was...they've had a few different drummers.
This was the drummer that did the first big tours and didn't record on anything, but he's back in Glassjaw now. So it's not the first drummer and it's not Sammy or whatever his name is, but yeah. Classic Case is definitely a big one. Gosh, what's some other stuff that we're into that are some friends of ours...? Definitely The Handshake Murders. There's a band also on Goodfellow called The Secret, they're from Italy, and they rule. They need to get their butts to the U.S. so people know who they are.
What is their secret?
That's a good question. I don't know, but it's a pretty good one, because they're awesome. So those bands are kind of bands...I mean, we bro-down with a lot of bands, but those are just bands that people dont really know of yet. Definitely Norma Jean, they're recording a new record, so I'm sure that's going to be awesome, so I'm excited about that. They're writing it right now and they're recording it with Ross Robinson, which is going to be absolutely insane, so we're all very excited about that too. But I'd say, yeah, that's pretty much it. Those are the bands that I'd definitely like to see go somewhere that I think are awesome.
Well, that pretty much wraps up the questions I had planned out. Is there anything else you wanted to go over or get into?
Um...not really, man. I can't really think of much else.
Oh, wait, I wanted to ask you if you ever catch any flack for having the band name Spitfire? Do people always assume you're huge into skateboards or something?
I mean, honestly, it's the worst band name on the planet. It is. It's freakin' terrible. But when you're 16 and you think certain things are cool that aren't as cool when you're 26. You know what I mean? When we were 16 and starting a band and doing whatever, at the time, it was like, somebody I guess at practice was like, "what about Spitfire?" Then everyone just yelled, "Yeahhh!"
"It's like a giant engine!"
Totally. But dude, trust me, that's one thing that if I could go back and change I would do it in a second. I can't stand it. And yeah, no one...they don't give a shit about it or anything, but it's just one of those annoying things where...you've got Spitfire Tires...and then you've all these other different companies...
Oh yeah, the tires.
Yeah! And not to mention there's probably like, a hundred bands with kids 15 and under with the name Spitfire.
There is! There's one in North Carolina that's a jazz trio. They're 16 years old or something. I remember I was asking my friend if he wanted to go see you guys, and he asked me to send him your Myspace. So I sent him theirs and he got really confused and frustrated.
The best; this is something I've seen on messageboards a couple of times; I guess if you just do Myspace.com/Spitfire, I guess it's just these kids wearing big pants...and so, I saw on a messageboard, someone had "thank god Spitfire's back together as a three piece," and I clicked the link and pulled it up and was like, "oh god."
Well, alright, Chris Raines, it was nice talking to you. Raines, right?
Yeah, Raines. Yeah.
Not Chris Gaines, right? The sinister alter-ego of Garth Brooks?
No, no. But I've heard that one before, trust me.
I'm sure that caused some problems growing up. He just put on a soul patch, that's all he did.
Yeah, that was really lame. I don't know what the deal with that was.
We'll leave that one untouched. We'll save that discussion for another interview.
Yeah, that's fine. Keep in touch.
It was good talking to you.
You too. Thanks again.